getting a clearer intention...

At what point does electronic timing take over? When I’m looping a sound, or jamming with a mic, at what point does the subtle energy in the groove shift, or does it ? - is there a difference between a mass-produced, bubble-gum pop dance track, and someone baring their intimate soul in a pub with an audience of two...?


what is that difference...?


Ties into a bigger discussion around the nature of performance, improvisation, spontanaety, being present, in the moment, those great musical moments, then the desperate attempt for producers to capture, monetise...


whats the difference between music in the 60’s and music now - anaologue, digital, pre-programmed samples, etc..

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